Jessica Aslan > Volt @STEIM
I took part in an orientation workshop followed by a residency at STEIM. This was funded by the Winston Churchill Memorial Trust. As a workshop musician and digital composer I’m…
Orientation Workshop
John Levin > STEIM Orientation Workshop #110
My goal in coming to STEIM was to evaluate my electronic music practice from the perspective of performance. My music frequently involves sustained tones, generated by analog synthesizers, that change…
Andrea Coppini > STEIM Orientation Workshop #110
When I decided to ask if it would be possible to attend an orientation workshop at STEIM, I was looking for some new directions or ideas in my musical activity.…
Eta Car > STEIM Orientation Workshop #110
Hello, I am a writer and musician based in Frankfurt. I try to blend different styles of music into a coherent musical experience: minimal, progressive, noise, roots. You can hear my…
Tara Pattenden > Orientation #108
It’s been some time since attending the orientation workshop at Steim and the writing of this post. I have now had loads of time to time to reflect on my…
Albena Baeva > Orientation #109
It was several years ago when I first learned about STEIM from Rene Beekman, one of our lecturers at the National Academy of Arts in Sofia. Over the last two…
Rodrigo Constanzo > Orientation #109
I’ve known about STEIM, in one way or another, for almost 10 years now. While living in Miami (currently in the UK), it existed as a faraway place where amazing,…
Mike Edgerton > Orientation #108
Mouthpiece An idea to build a prototype of a mouth controller for voice performance Important to quickly and fluidly insert and remove from oral cavity The controller would somehow track…
Jon He > Orientation #108
I first heard about STEIM from my lecturer, Brian O’Reilly, while I was doing my undergraduate study at LaSalle College of The Arts, Singapore. It was introduced to me as…
Kyle Evans > Orientation #108
There exists much potential within an organization such as STEIM. The studio is filled with obvious signs of creativity, innovation, and encouragement towards an area of music that is not…